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Keith Moore " Red" Mitchell (September 20, 1927 – November 8, 1992)

(1992). 9780851125800, Guinness Publishing.
was an American , composer, lyricist, and poet.


Biography
Mitchell was born in New York City. His younger brother, , also became a jazz bassist.

Mitchell was raised in by a father who was an engineer and loved music, and a mother who loved poetry. His first instruments were piano, alto saxophone, and clarinet. Although Cornell University awarded him an engineering scholarship, by 1947 he was in the U.S. Army playing bass. The next year, he was in a jazz trio in New York City.

Mitchell performed and/or recorded with , , , , , , and, after joining the West Coast jazz scene in the early 1950s, with André Previn, , , , , , and others such as . He also worked as a bassist in television and film studios around Los Angeles, occasionally appearing on screen. Mitchell also appeared in documentaries about and .

Saxophonist and Mitchell founded and co-led a quintet in the early 1960s.

Mitchell moved to in 1968. He won Sweden's in 1986 and again in 1991, for his recorded performances as a pianist, bassist, and vocalist, and for his compositions and poetic song lyrics.

During this period, Mitchell performed and/or recorded with , , , Jim Hall, , , , , , , , , , and others. He frequently collaborated in duos, most notably with pianist Kellaway after the mid-1980s.

The Swedish government awarded Mitchell the in 1992.

Returning to the United States in early 1992, Mitchell settled in , where he died of a stroke at age 65 on November 8, 1992.

A collection of his poetry was published posthumously. His widow is preparing a biography.


Technique and playing style
Mitchell used standard tuning during the 1950s and for the first half of the 1960s, and produced sound similar to his professional jazz bass peers. However, "in 1966 he switched to cello tuning on his bass (C-G-D-A, an octave below the cello, instead of the standard E-A-D-G). At the same time, he began adjusting the tone controls of his amplifier to create a soft, unfocused sound in the lowest notes and to emphasize the upper harmonics in higher notes. The result was an airy tone quality that sounded gentle, not muscular. This airy tone and his frequent habit of strumming the strings with his right thumb contributed greatly to his unusual style."
(1996). 9780195052879, Oxford University Press.


Discography

As leader/co-leader


As sideman
With
  • I've Been Doin' Some Thinkin' (Atlantic, 1968)
With
  • Gene Ammons in Sweden (Enja, 1981)
With
  • ...And Now About Mr. Avalon (Chancellor, 1961)
With With With With
  • Bob Brookmeyer Quartet (Pacific Jazz, 1954)
With With
  • Tomorrow Is the Question! (Contemporary Records, 1959)
With
  • Jazz Loves Paris (Specialty, 1958)
  • At the Cinema! (Mercury, 1959)
With With With With Tommy Flanagan With The Four Freshmen
  • Voices In Latin (Capitol, 1958)
  • The Four Freshmen and Five Guitars (Capitol, 1959)
  • First Affair (Capitol, 1960)
With
  • 7 Pieces (Verve, 1959)
  • Ad Lib (Verve, 1959)
With Jim Hall
  • Jazz Guitar (Pacific Jazz, 1957)
  • Good Friday Blues (Pacific Jazz, 1960) as The Modest Jazz Trio
With
  • Five Brothers (Tampa, 1955)
With
  • Hampton Hawes Trio (Contemporary, 1955)
  • This Is Hampton Hawes (Contemporary, 1956)
  • Everybody Likes Hampton Hawes (Contemporary, 1956)
  • All Night Session! Vol. 1 (Contemporary, 1958)
  • All Night Session! Vol. 2 (Contemporary, 1958)
  • All Night Session! Vol. 3 (Contemporary, 1958)
  • Four! (Contemporary, 1958)
  • The Seance (Contemporary, 1969)
  • I'm All Smiles (Contemporary, 1973)
With Paul Horn
  • House of Horn (, 1957)
  • Plenty of Horn (Dot, 1958)
With
  • Live in Europe 1954 (Blue Note, 1990)
With With
  • Kessel Plays Standards (Contemporary, 1955)
  • To Swing or Not to Swing (Contemporary, 1955)
  • (Contemporary, 1956)
With With
  • I Want to Live (United Artists, 1958)
With
  • Bells Are Ringing (Contemporary, 1958)
With
  • Music for Prancing (Mode, 1957)
With Gil Mellé
  • Gil Mellé Quintet/Sextet (Blue Note, 1953)
With
  • Arranged/Played/Composed by Jack Montrose (Atlantic, 1955)
With
  • Paris Concert (Pacific Jazz, 1955)
  • California Concerts (Pacific Jazz, 1955)
  • I Want to Live (United Artists, 1958)
With Bill Perkins and With André Previn
  • Pal Joey (Contemporary, 1957)
  • Gigi (Contemporary, 1958)
  • King Size! (Contemporary, 1959)
  • West Side Story (Contemporary, 1959)
  • The Subterraneans (Soundtrack) (, 1960)
  • André Previn and J. J. Johnson (, 1961) with J.J. Johnson
  • Sessions, Live (Calliope, 1978) recorded 1956–57
  • A Different Kind of Blues (, 1980) with
  • It's a Breeze (Angel, 1981) with Itzhak Perlman
With
  • I Gotta Be Me...This Trip Out (ABC, 1968)
With
  • Shorty Rogers Plays Richard Rodgers (, 1957)
  • The Fourth Dimension in Sound (Warner Bros., 1961)
  • An Invisible Orchard (RCA Victor, 1997)
With With
  • The Music from Richard Diamond (EmArcy, 1959)
  • 10 Trombones Like 2 Pianos (Mercury, 1960)
  • The Original Music of Thriller (Time, 1961)
  • 10 Saxophones and 2 Basses (Mercury, 1961)
With George Russell
  • Electronic Sonata for Souls Loved by Nature (Flying Dutchman, 1969)
With With
  • Bud Shank - Shorty Rogers - Bill Perkins (Pacific Jazz, 1955)
With
  • In a Sentimental Mood (Sonet, 1985)
With
  • Come Dance with Me! (Capitol, 1959)
  • Sinatra's Swingin' Session!!! (Capitol, 1961)
  • The World We Knew (Reprise, 1967)
With Pierre Strom
  • Rallarvisor (YTF Records, 1973)
With
  • Out of Nowhere (Bingow, 1978)
  • Brahms Lullabye (Bingow, 1978)
  • Funk Dumplin's (Matrix, 1978)
With
  • West Side Story (Fantasy, 1960)
  • The Prophet (Verve, 1968)
With Mel Tormé
  • Mel Tormé and the Marty Paich Dek-Tette (Betlehem, 1956)
With
  • Ben Webster at the Renaissance (Contemporary, 1960)
With


External links

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